Helene Aylon was an American, New York-based, multimedia visual artist who began by creating process art in the 1970s, focused on anti-nuclear and eco-activist art by the 1980s, and subsequently devoted more than 35 years to the multi-partite installation The G-d Project. This last body of work’s often direct or indirect textuality resonates from and responds to Judaism’s traditionally male-dominated textuality as part of a larger commentary on women in Judaism.