Regarded as one of the foremost designers in twentieth-century theater, Tanya Moiseiwitsch was an innovative designer of costumes, sets, and stages, responsible for over two hundred productions in England, Canada, and the United States. She made an impact in the male-dominated world of stage design.

An innovator in mixed-media forms, Meredith Monk uses music, dance, drama, and film in her theater pieces. Acting as composer, choreographer, librettist, and performer, Monk creates diverse works that have been widely exhibited and have received many awards and honors.

Elinor Morgenthau’s accomplishments were largely invisible, as she helped her husband, Henry Morgenthau, Jr., rise to great heights in Franklin Delano Roosevelt’s administration. Because of her sharp political and social skills, she often filled in for her husband, and eventually she became Eleanor Roosevelt’s assistant in the Office of Civilian Defense.

As a female playwright, Martha Morton faced adversity within the male-dominated New York theater world. Despite repeated rejection, she achieved fame and prosperity. Resisting expectations of women writers, Morton took a firm hand in production, often casting and directing her own work.

A lively comic actress, Molly Picon brought Yiddish theater to a wider American audience. She acted in the first Yiddish play ever performed on Broadway and insisted on performing in Yiddish on a 1932 tour of Palestine. Filming on location in Poland, on the eve of World War II, Picon captured a view of shtetl life soon to be erased by the Holocaust.

Orna Porat was a leading actor at the Cameri Theater who also performed at the Habimah, the Beer-Sheva Municipal Theater, Beit Lessin, and the Yiddish Theater. After immigrating to Israel from Germany, Porat struggled to learn Hebrew and break into the theater world, but ultimately she was successful. She is known for serving on the Cameri’s administrative board and founding the Cameri Children’s Theater.

One of the most famous Jews in nineteenth-century France, the actress Rachel was celebrated for her unparalleled talent and is credited with reviving classical French tragedies in the era of Romanticism. Throughout her life, she remained faithful to her family and Judaism. Rachel was unusually adept at managing her career, and she became an international star on foreign tours. 

Sarah Reisen was both a gifted Yiddish writer in her own right and a respected translator of great literature into Yiddish for children and adults. Recognized by contemporaries for her humane literary sensibility, she brought to Yiddish literature not only her own creative works but also her translations, which introduced readers of all ages to world literature.

In revues, nightclub acts, concert halls, and on television, Joan Rivers popularized and perfected a genre of comedy that challenged reigning social conventions. After breaking into Chicago’s comedy scene in 1961 at Second City, Rivers became known for her comedic routines, books, and the talk show for which she won an Emmy for in 1990.

Romania was a wellspring of the Yiddish theater, as there were Jewish theater troupes in the major Romanian cities and acting troupes traveled throughout the country performing dramas, comedies, musicals, and operettas. Women played a significant role in performing and shaping Romanian Yiddish theater and became known internationally for their work on the Yiddish stage.

Jean Rosenthal was a pioneer in theater lighting design, finding new aesthetics for dance performances and theater productions. Rosenthal did the stage lighting for a number of well-known Broadway plays and musicals, such as West Side Story (1957), Becket (1960), Hello, Dolly! (1964), Hamlet (1964), Fiddler on the Roof (1964), The Odd Couple (1965), and Cabaret (1966). She is most famous for her unconventional lighting of dance and opera performances. 

Lillian Roth, a singer-actor whose career met with early success but was eventually sidetracked by alcoholism and mental illness, wrote an autobiography that became an international bestseller. At fourteen Roth landed a part in the Shubert show Artists and Models; by seventeen, she was in Ziegfield’s Midnight Follies. She moved to Hollywood for a successful film career before her life fell apart due to mental health challenges and alcoholism. 

Called the "High Priestess of the Hebrew theater," Hanna Rovina was awarded the Israel Prize for Theater Arts for her contributions to the Habimah stage and her commitment to reviving the Hebrew language. Acting with the Habimah theater, she played many different parts over the course of six decades. A year before her death, Habimah named its large auditorium after her.

A talented singer/actor and superb comedian, Vivienne Segal enjoyed a lengthy career. She was best known for her role as Vera Simpson, the older woman in love with the “heel,” Joey (played by Gene Kelly), in the 1940 Rodgers and Hart musical Pal Joey.

Irene Mayer Selznick was a producer and philanthropist in Hollywood and New York. She wrote in her memoir, A Private View (1983), that Act I was spent under the shadow of her father, the film executive Louis B. Mayer; Act II was marriage to David O. Selznick, producer of Gone With the Wind; and Act III consisted of her career as a Broadway producer. She is known for producing Tennessee Williams’s A Streetcar Named Desire (1947).