A member of the first generation of modern dancers in Vienna, Gertrud Bodenwieser developed her own style of modern Ausdruckstanz (expressionist dance). From her studio in Vienna, she established the Bodenwieser Dance Group and went on to tour Europe, Japan, and Columbia. In 1938, she immigrated to Australia and played a significant role in the development of modern dance there.

Ruth Bondy was an author, a journalist, and a gifted translator. Born in Prague to a large Zionist family, the majority of whose members perished in the Holocaust, Bondy survived Theresienstadt and Auschwitz-Birkenau and arrived in Israel in late 1948. She soon became a journalist, and eventually began to write biographies and translate from Czech to Hebrew.

Hansi Hartmann started helping escaped Jewish refugees in Hungary with her husband Joel in 1938. She later played a central role in The Relief and Rescue Committee, founded by Joel in 1942, and went on to save thousands of Jews. After the war, she emigrated to Palestine and gave critical testimony at the Kasztner and Eichmann Trials.

Suzanne Brøgger is a Danish journalist, cultural critic, author, and essayist. With more than twenty books to her name, Brøgger has received widespread acclaim for her novels, essays, anthologies, poems, and plays.

Cécile Brunschvicg was one of the grandes dames of French feminism during the first half of the twentieth century. Although her chief demand was women’s suffrage, she also focused on a range of practical reforms, including greater parity in women’s salaries, expanded educational opportunities for women, and the drive to reform the French civil code, which treated married women as if they were minors.

German-born scientist Edith Bülbring was renowned for her work in smooth muscle physiology, which paved the way for contemporary cellular investigations. She pursued this work through a large and flourishing large research group at Oxford University, which she led for seventeen years. In 1958 she was elected to the Royal Society.

The positive aspect of the Canadian mosaic has been a strong Jewish community (and other communities) which nurtured traditional ethnic and religious values and benefited from the talent and energy of women and men restrained from participation in the broader society. The negative aspect has included considerable antisemitism and, especially for women, the sometimes stifling narrowness and conservatism of the community which inhibited creative and exceptional people from charting their own individual paths.

As director of the Hadassah School of Nursing in Jerusalem, Shulamith Cantor helped set the standard for nursing in Palestine.

During the Nazi regime, the political participation of the League of Jewish Women in the affairs of the Jewish self-help organization the Reichsvertretung was initially unwelcomed by male leaders, despite the fact that women attended its meetings. Following the dissolution of the League in 1938, four of its members created their own network in order to present a united front for Jewish women’s interests and continued to participate in important functions of the Reichsvertretung.

From the 1920s into the 1950s, the Communist Party USA was the most dynamic sector of the American left, and Jewish women—especially Yiddish-speaking immigrants and their American-born daughters—were a major force within the party and its affiliated organizations. Their numbers included community organizers, labor activists, students, artists and intellectuals. When the communist movement faded in the 1950s, these women carried radical traditions into new movements for social justice and international cooperation.

Liza Czapnik was a Polish freedom fighter during World War II who started working against the Nazi occupation after witnessing a mass murder of Jewish people near her hometown. After being interned in the Grodno ghetto, she escaped and began working as a courier for the anti-fascist underground in Bialystok. After the war, she earned a PhD and taught English until 1991, when she made Aliyah and settled in Beersheva.

Artists began to try to create a new Hebrew dance in the 1920s. Israeli Expressionist Dance flourished first, followed by American modern dance. Israeli dance became professionalized and centralized, and over the past few decades, efforts to promote local creativity accelerated, ethnic dance companies have flourished, and choreographers have taken increasingly political stances.

Jewish immigrants to the New World brought with them their ritual and celebratory Jewish dances, but these traditional forms of Jewish dance waned in the United States. Working-class and poor Jewish immigrants parents sought out culture and education in the arts for their children, often as a vehicle for assimilation. Jewish women were particularly attracted to the field of modern dance.

Lucy S. Dawidowicz was an American-Jewish historian whose influential and controversial works reflect her deep personal and academic commitment to the Jewish people. She spent time in Poland immediately before the Holocaust and time in Germany immediately after it. Dawidowicz’s works, which received numerous awards, concern American and Eastern European Jewry, and the Holocaust.

Opera in Israel owes its creation primarily to singer, director, producer, and impresario Edis De Philippe. De Philippe made her New York opera debut in 1935 before performing with the Paris Opera and touring Europe and South America. She then founded the Israel National Opera Company in 1947 and ran it until her death in 1979.

Living a privileged existence in the wealthiest circles of German cultural society, Ida Dehmel became involved in circles of patronage of modern art that raised awareness for feminist issues, including women’s suffrage and equality for women’s artists’ associations. In 1916 she co-founded the Women’s Society for the Advancement of German Art.

Friedl Dicker was an artist and educator who studied at the Bauhaus school then led art classes at Terezin.  In the ghetto, Dicker taught drawing to hundreds of children, designed sets and costumes for children’s performances, and made an exhibition of children’s drawings in a basement. She also created her own sketches, many of which were discovered in the 1980s.

Gusta Dawidson Draenger was active in resistance movements during World War II, enduring imprisonment and torture. Her famous work, Justina’s Diary, recalls her experiences within the resistance and while incarcerated.