Dame Alicia Markova, Britain’s first and the first Jewish prima ballerina, combined amazing technique and personal strength with tremendous artistry to become one of the finest classical dancers of her generation. Through her touring and early recognition of the power of mass media, she was also one of ballet’s greatest ambassadors in the mid-twentieth century. Markova extended her legacy through choreography, teaching, and commitment to coaching the next generation of dancers.

A leader of the New Dance Group, Sophie Maslow was among the generation of dancers involved in the labor movement of the 1930s. Maslow saw her work as inspired by a personal heritage rather than by political ideology; she believed that dance “could enrich the lives of workers in and of itself.”

Sulamif Messerer was an influential ballerina who taught a generation of dancers globally. After swimming in the 1928 Soviet Olympiada, she became a prima ballerina in the Bolshoi Ballet Company. She had a long dance career and then became a renowned teacher in Russia, Japan, New York, and London.

An innovator in mixed-media forms, Meredith Monk uses music, dance, drama, and film in her theater pieces. Acting as composer, choreographer, librettist, and performer, Monk creates diverse works that have been widely exhibited and have received many awards and honors.

Rina Nikova, a pioneer of classical and biblical ballet in Palestine, distinguished herself mostly in character dances, which had a nationalist style influenced by ethnic folklore. Nikova established the first school for classical ballet in Tel Aviv and founded the Biblical Ballet, which was based on Yemenite folklore and focused on Biblical subjects.

Margalit Oved—dancer, choreographer, singer, actress, musician—is the epitome of a performance artist. Her work blended elements from the Yemen of her childhood, the Israel of her adolescence, and the Los Angeles of her adulthood. She has left an indelible mark on twentieth-century Jewish culture through her inventive and modern interpretations of ancient biblical tales.

Paula Padani was an influential choreographer, performer, and teacher who explored Jewish themes in her work as she danced throughout Israel, the United States, and Europe. Her work was inspired by the landscapes of Israel and biblical themes, and she was celebrated in post World War Two Paris for her talent and vitality as a Jewish artist.

Linda Rabins’s education and career as a dancer, teacher, and choreographer was global and eclectic, making her a unique dance artist. She has studied dance, healing arts, and somatic education all over the world from Israel, Japan, to Canada. She is known for co-founding and co-directing the Linda Rabin Danse Moderne in Montréal, which evolved into Les Ateliers de Danse Moderne de Montréal (LADMMI).

Born in Brooklyn in 1925 to secular and assimilated parents, Norma Rosen was an American-Jewish novelist, essayist, educator, editor, and professor. Rosen’s exploration of Jewish history and religion in her writings contributed to questions surrounding Jewish theology and Jewish feminism in the second half of the twentieth century.

Bethsabée (Hebrew: Batsheva) de Rothschild, the scion of a well-known philanthropic family, helped support numerous activities in the United States and Israel, especially dance, music, and science.She created the Batsheva and Bat-Dor dance companies and was awarded the Israel Prize in 1989 for her special contribution to Israeli society.

Angiola Sartorio was a prolific dancer, teacher, and choreographer who subverted fascism in her artistic choices. Sartorio had a company and school, and her company was widely well-received in Italy until it performed for Hitler in Vienna and she had to flee to the United States.

Mirali Sharon was one of Israel’s most important choreographers in the 1970s and 1980s. Her work is characterized by organic integration of music, costume, and décor, with the dance being the outcome of the composer-designer-scenarist-choreographer composite as one fertile, creative team.