Sara Levi-Tanai was the founder, choreographer, and artistic director of the Inbal Dance Theater. With an original style, she established a unique dance theater that combined the East and West and the early history of the Nation of Israel with the present, as well as creating a new language of movement in the world of dance that is called “the Inbal language.”

Pearl Lang was the first dancer Martha Graham allowed to perform some of Graham’s own roles. She also brought elements of the ecstatic poetry and dance of Jewish traditions to her own praised work.

Dance has been an integral element of the Jewish community since biblical times. An intense desire to share the joy of dance, coupled with a strong identification with both Israel and their Jewish roots, spurred a group of influential women to create a flourishing movement of Israeli folk dance in North America. Today, Israeli folk dance enjoys a wider popularity than ever.

Hebrew song as a whole, including songs of Erez Israel and the State of Israel, is a unique socio-cultural phenomenon that has developed over time. The dawning of Hebrew song can be traced to the period between 1880 and 1903, and it has grown to reflect the diverse aspects of Israeli society since then. The contribution of women to Hebrew songs, in general, has risen steadily over the years. 

First a dancer, then a teacher, Marjorie Guthrie founded the Woody Guthrie Children’s Fund and Archive in 1956 to preserve her husband’s works for future audiences. By the end of her life, she was a national activist for Huntington’s Disease and other genetic and neurological diseases.

After surviving the Holocaust and immigrating from Budapest to Brazil, dancer Marika Gidali became an influential performer, teacher, and choreographer at a time when the arts faced serious repression under military dictatorship. In 1956 Gidali began dancing with the Ballet Company of Theatro Municipal do Rio de Janeiro. Gidali later set up her first school, which was the meeting point for many artists in the mid-1960s.

Esther Gamlielit was prominent in a lineage of Yemenite singers, after Brachah Zefira and before Shoshana Damari. Gamlielit was a talented singer, dancer, and actress, known for performing songs with the Yemenite-style pronunciation of the Hebrew letters het and ayin.

Mary Frank was a sculptor and painter inspired by dance, photography, and the moving body. Born in London, Frank immigrated to the United States in the 1940s and danced with Martha Graham and studied art at the American Art School in New York. Frank imparts a sense of the timelessness and her work, and her sculptures have been described as sensual, sublime, poetic and profoundly moving, placing her among the foremost figurative artists of our time. 

Folk dances in Israel are a staple of the national and cultural consciousness and were largely created and performed by women. The halutzim's festival pageants, combined with dance traditions brought to Israel from the Diaspora, led to the creation of many beautiful folk dances. Today there are over three thousand Israeli folk dances.

Maya Deren pursued an ambitious career as a writer, publishing poetry, essays, and newspaper articles. She was also one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances. In 1946 she used a Guggenheim Fellowship to photograph Haitian dance.

Jewish immigrants to the New World brought with them their ritual and celebratory Jewish dances, but these traditional forms of Jewish dance waned in the United States. Working-class and poor Jewish immigrants parents sought out culture and education in the arts for their children, often as a vehicle for assimilation. Jewish women were particularly attracted to the field of modern dance.

Artists began to try to create a new Hebrew dance in the 1920s. Israeli Expressionist Dance flourished first, followed by American modern dance. Israeli dance became professionalized and centralized, and over the past few decades, efforts to promote local creativity accelerated, ethnic dance companies have flourished, and choreographers have taken increasingly political stances.

Incorporating biblical themes and Sephardic music into her dances, Yardena Cohen helped create a uniquely Israeli artistic culture. Cohen opened her Haifa dance studio in 1933 and maintained it for some seventy years, stressing creative dance. She continued to teach well into her nineties and in 2010 was awarded the Israel Prize for Lifetime Achievement.