Music

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Claire Brook

Claire Brook was a writer, editor, and composer whose career was most distinguished by her work in publishing. After retiring from W.W. Norton, she founded Pendragon Press, a small press focused on musicological books, with her husband and brother.

Brazil, Contemporary

Brazil is home to the second largest Jewish community in South America. Jewish women played important roles in the absorption of Jewish immigrants from Europe, the Middle East, and North Africa, and also made important contributions to Brazilian intellectual and artistic life.

Sophie Braslau

In her short life, Sophie Braslau was an extraordinary contralto and international opera sensation. After making her debut at the Metropolitan Opera in New York at age eleven, she toured the United States, Europe, and Canada and recorded many albums. She also sang at fundraisers such as the Omaha Hebrew Club campaign to raise money for Jewish war sufferers.

Blanche Bloch

Blanche Bloch helped open new opportunities for women in music as both a founding member and conductor of the New York Women’s Orchestra. Bloch collaborated with her husband, Alexander Bloch, performing, writing operettas, and delivering joint concerts and music lectures. Bloch also authored two mystery novels.

Yara Bernette

Raised in Brazil, world-renowned pianist Yara Bernette began studying piano with her uncle, a major Brazilian classical musician of his day. She toured across the world and became the head of the piano program at the Hamburg Music and Performing Arts School.

Berthe Bénichou-Aboulker

Writer and artist Berthe Bénichou-Aboulker was born in Oran, French Algeria, in 1886. She published a number of collections of poems and plays. After publishing her first play in 1933, she became the first woman writer to be published in Algeria.

Jeanne Behrend

Jeanne Behrend was a renowned pianist, music educator, and composer who was dedicated to creating music and popularizing North and South American music. Behrend won Columbia University’s Joseph Bearns Prize in 1936; debuted at Carnegie Hall in 1937, performing one of her own compositions; and founded the Philadelphia Festival of Western Hemisphere Music in 1959.

Nora Bayes

Nora Bayes was a star in vaudeville and musical comedy in the early twentieth century. Known for her lush singing voice and hilarious acting, Bayes was a part of the Ziegfeld Follies, the Keith vaudeville circuit, and had her own one-woman show. Bayes had  many arguments with male producers, theater administrators, and businessmen, as she often questioned the traditional role of women and asserted her independence. 

Marion Eugénie Bauer

Marion Eugenie Bauer was a modernist and experimental composer whose musical scholarship advocated for women’s voices to be heard and revived interest in female composers. As a teacher, writer, and composer, she was actively involved in many music and composition organizations, frequently as the only woman in a leadership position. 

Belle Barth

Singing her way through popular standards and performing imitations of Sophie Tucker, Al Jolson, Harry Richman, and Gypsy Rose Lee kept Barth employed on the vaudeville circuit through the 1930s and 1940s. The character of her act changed in the 1950s, when she began to mix her two talents—music and comedy—and added a splash of “red hot mama” for good measure.

Michal Bat-Adam

Director, scriptwriter, and actress of stage and screen Michal Bat-Adam has been hailed for her sensitive and nuanced portrayals of mental illness and women’s inner lives. The interweaving of past and present, fiction and reality, memory and its creative representation are hallmarks of Bat Adam’s work.

Ora Bat Chaim

Ora Bat Chaim is a poet, painter, and concert manager who in her late 50s began a prolific music composition career. Bat Chaim was the manager of the Zavit Theater and composed over 400 pieces for musicians, plays, and movie soundtracks. Her music can be described as a reflection of Jewish mysticism, yoga, and universal principles of truthfulness, compassion, and tolerance.

Barbara (Monique Andree Serf)

Barbara (Monique Andrée Serf) was a French singer and composer whose melancholy style rose to national significance. Born in Paris in 1930, after World War II Barbara studied music, rising to fame in the 1960s. Her Jewish identity and wartime experience as a child influenced her non-conformist persona as an artist, and through her song lyrics, she advocated for Franco-German reconciliation.

Astrith Baltsan

Astrith Baltsan is a decorated Israeli classical musician. Baltsan pursued new approaches to appealing to larger audiences by incorporating classical, pop, and jazz music, as well as poetry, literature, film, video clips, and dance into a coherent narrative, utilizing both her impressive stage presence and her gifts as a pianist, writer, and story-teller.

Belle Baker

Belle Baker has been described as a famed torch singer and vaudeville star, as well as a Yiddish, Broadway, and motion picture actor. Among the songs associated with her are “Eli Eli” and “My Yiddishe Mama.” Her resonant voice made her the first choice of many composers to debut their songs, and she helped to introduce 163 songs to the public throughout her career.

Zsófia Balla

In Hungary, Zsófia Balla is considered one of the greatest women poets. Her lyricism is mixed with grotesque playfulness along with fragmented, ironic, prose-like sequences. Due to her outspoken and down-to-earth character, she plays a large role in shaping contemporary Hungarian literature.

Australia: 1788 to the Present

The first Jewish women, like the first Jewish men, arrived in Australia on the very first day of European settlement in 1788. Those convict pioneers were followed by free settlers who made Jewish communal and congregational life viable and helped to develop the vast continent. Jewish women have made significant contributions to Australia's national story.

Chaya Arbel

Raised as a kibbutznik and taught that music was frivolous, Chaya Arbel only began pursuing a musical career in her forties, but she went on to become one of Israel’s great modern composers. She was active in music education for several decades and gained general recognition as a composer in her seventies.

Chava Alberstein

Chava Alberstein is a singer-songwriter who by the end of 2020 had recorded over 60 albums (including eight albums in Yiddish but not including singles and song collections), more than any other Israeli singer. Alberstein has toured globally and is considered one of the most important female performers of Hebrew music, Yiddish folk songs, and children’s songs.

Lina Abarbanell

The talented singer Lina Abarbanell had a gift for lighter musicals and operettas with complicated, Viennese flourishes, and several composers wrote parts specifically for her distinct soprano. Following her successful international performance career, Abarbanell became a well-known casting director, Broadway producer, and occasional director. 

Arise, Arise: A New Wave of Jewish Women Musicians

Jordan Namerow

Yesterday I attended a workshop on themes of social justice in Jewish music. I was given a music packet that included songs by Bob Dylan, Peter Yarrow (of Peter, Paul, and Mary), Pete Seeger, Jeff Klepper, the stud-of-a-Jewish-Rockstar Rick Recht, and E18hteen (the modern Jewish rock band founded by Dan Nichols). "E18hteen" sings that catchy song "Kehilah, Kedoshah" which is all the rage in Reform Jewish camps (I'm not going to lie -- I dig this song despite its cheesiness).

Topics: Activism, Music, Music

Emma's Revolution!

Jordan Namerow

It's unlikely that Emma Goldman predicted her legacy would inspire the name of an activist folk music duo, but perhaps she did. Over the weekend, I had the delight of seeing Emma's Revolution, a "musical uprising of truth and hope from award-winning, activist songwriters" perform with feminist folk music pioneer Holly Near.

Topics: Activism, Music, Dance

Midwives, Oranges, and Matzah Frisbee?!

Jordan Namerow

With Passover fast approaching, now is a perfect time to think about the many roles of courageous women in historical and contemporary quests for freedom.

As a start, check out the Jewish Women's Archive's resource on Jewish midwives which highlights Shifra and Puah, two women who play a critical part in the Exodus story through their acts of resistance in sparing the lives of Hebrew male babies born in Egypt.

If Wanda Landowska were alive today...

Jordan Namerow

On February 21, 1942 (sixty-six years ago yesterday) Wanda Landowska -- a Warsaw-born Jewish musician with a mastery of the harpsichord -- made history with a performance of Bach's "Goldberg Variations" at New York's Town Hall. It was the first time in the 20th century that the piece, originally written for the harpsichord, was performed publicly on that instrument. A student of Landowska's later remembered that hearing her performance was "like being in front of one of the greatest wonders of nature."

Postcards from Yiddishland: Singing Ghetto Songs

Anna

I spent the last week of December encamped in a Catskills hotel with about 425 klezmorim, dancers, artists, students, and lovers of Yiddish from around the world. We had gathered for the 23rd annual KlezKamp, a music and culture extravaganza organized by Living Traditions, a nonprofit dedicated to Yiddish cultural continuity and community. During the day, we took classes on everything from Hasidic dance to world Jewish foodways; at night, we danced to the newest and oldest in Ashkenazi music in the hotel ballroom with its famous gold lamè curtains.

Topics: Holocaust, Music

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