Reportedly the first American theater actress to earn a three-figure salary, Rose Eytinge was praised for her fiery, passionate performances.  Known for taking on physically demanding roles, on a performance tour stop in Washington, she was invited to the White House by President Abraham Lincoln. In 1905 she published her autobiography, Memories of Rose Eytinge, detailing her life in theater.

Louise Dresser was a celebrated singer in vaudeville and musical comedy, as well as a star in early motion pictures. Known largely for her rendition of Paul Dresser’s song “My Gal Sal,” she also sang his “On the Banks of the Wabash.” After vaudeville, Louise Dresser found success on Broadway, before moving to Hollywood to star in films opposite Will Rogers. 

A determined and talented performer, Selina Dolaro raised four children alone while pursuing an illustrious acting and singing career in late nineteenth-century England and America. Dolaro performed in various London operas, most notably as the title role in the first English version of Carmen. She made her American debut as Carmen in 1879.

Lili Darvas was an internationally acclaimed actress, known on the stage and screen in Europe and the United States. Born in Budapest in 1902, as an actress Darvas combined the fetching qualities of an ingenue with the depth and mature allure of an experienced woman of the world, which led to her rise to fame in New York, Germany, and Hungary. 

Shoshana Damari’s lush voice and her fusion of Eastern and Western musical aesthetics made her the voice of a generation in Israeli music, recording dozens of albums in her career. She made several movies, was known for her song “Kalaniyot” (Poppies), and was awarded the Israel Prize in 1988 for her contributions to Israeli music and culture.

Betty Comden wrote lyrics and librettos for enduring and beloved musicals like Singin’ in the Rain and Peter Pan, winning some of the industry’s highest honors. Comden worked with her writing partner, Adolph Green for almost fifty years on different musicals, winning their final Tony Award together for The Will Rogers Follies in 1991.

Zaharirah Charifai was an influential Israeli actress who became nationally known in the role of Grusha in Brecht’s The Caucasian Chalk Circle, and from then on performed in dozens of plays at the Cameri and the Haifa Municipal Theater. In addition to stage acting, Charifai appeared in three successful solo performances, on the radio, and in several films.

One of America’s great clowns, Fanny Brice built her career on a Yiddish accent and a flair for zany parody. Brice earned a reputation as a vaudeville star before creating some of her best-loved comedic personae for radio.

Brazil is home to the second largest Jewish community in South America. Jewish women played important roles in the absorption of Jewish immigrants from Europe, the Middle East, and North Africa, and also made important contributions to Brazilian intellectual and artistic life.

A beautiful and accomplished stage and screen actress, Joan Blondell was known for playing character roles as a wisecracking, working-class girl. Blondell toured all over the world, performed on Broadway, and eventually ended up in Hollywood doing movie and television work. In 1972 she wrote a novel, Center Door Fancy, based on her own life and career.

Miriam Bernstein-Cohen was an influential actor, director, poet, and translator in Europe and Israel.  She was a versatile actor, appearing successfully both in comedies and in serious plays with the Ohel, Matateh, and Haifa Municipal Theater companies. In addition to her theater work, she wrote books and essays on theater and literature throughout her life.

Aline Bernstein was one of the first theatrical designers in New York to make sets and costumes entirely from scratch and craft moving sets. She designed sets for the Theatre Guild and various independent producers, winning numerous awards for her work, including a Tony for costume design for Regina in 1949. She later founded the Costume Museum and began writing fiction.

Elisabeth Bergner, born in Austrian Galicia, was one of the most successful and popular stage and screen actresses in pre-World War II Germany, known for her superior artistic skills and wide variety of roles. During the war, she helped actors escape Germany. She was honored with the Schiller Prize of the City of Mannheim, the Ernst Lubitsch Prize, and the Austrian Cross of Merit for Science and Art. 

Nora Bayes was a star in vaudeville and musical comedy in the early twentieth century. Known for her lush singing voice and hilarious acting, Bayes was a part of the Ziegfeld Follies, the Keith vaudeville circuit, and had her own one-woman show. Bayes had  many arguments with male producers, theater administrators, and businessmen, as she often questioned the traditional role of women and asserted her independence. 

Shulamit Bat-Dori defied notions about the inappropriateness of theater in the kibbutz, creating popular and acclaimed plays for the masses. Bat-Dori joined Ha-Shomer ha-Za’ir and made Aliyah in 1923, bringing her passion for theater, dance, music, and languages to Kibbutz B (later Mishmar ha-Emek). She wrote plays and founded the Kibbutz theater.