Mirali Sharon was one of Israel’s most important choreographers in the 1970s and 1980s. Her work is characterized by organic integration of music, costume, and décor, with the dance being the outcome of the composer-designer-scenarist-choreographer composite as one fertile, creative team.

Naomi Shemer was a prolific singer and composer who built a unified Israeli cultural consciousness through her beautiful melodies. From the 1950s to the 1990s, Shemer wrote music that was performed throughout the country, including “Jerusalem of Gold” and “Lu Yehi.” In 1983, she was awarded the Israel Prize, and she continued to write new music until her death in 2004.

Dinah Shore, the quintessential American girl, was both America’s sweetheart in the 1940s and 1950s and a leading example of an independent woman in the 1970s. Her career as a singer and actress spanned over forty years and included stints on the radio and in the movies. Shore won nine Emmys, a Peabody, and a Golden Globe.

Esfir Shub was active as an editor, director, and writer of nonfiction films for twenty years, from 1927 to 1947—one of the few women in the Soviet Union at that time to achieve some standing in the film industry. Shub found success as a woman in the film industry by pioneering the form of compilation documentary and by producing technically competent work that satisfied the political needs of the communist moment.

Feisty and opinionated, Sylvia Sidney was quite the opposite of the waiflike victim of social oppression she played in Hollywood’s Depression Era films. While she disliked playing the victim, her vulnerability and working-class persona resonated with audiences. She earned an Oscar nomination for her performance in Summer Wishes, Winter Dreams, took on a comic role as the caseworker in Beetlejuice, and played a sympathetic grandmother in one of the first TV movies about AIDS, An Early Frost.

Beverly Sills was a trailblazing opera singer who, after a robust singing career at the New York City Opera Company (NYCO) and the Metropolitan Opera House, became the first female director of the NYCO, and the first female chair of the Lincoln Center board. Sills defied the odds in her career accomplishments while raising two children with disabilities and being actively involved with several charitable organizations.

Award-winning director and screenwriter Joan Micklin Silver, born in 1935 in Omaha, Nebraska, wrote and directed the 1975 barrier-breaking independent film Hester Street, which sparked an interest in the lives of immigrant Jews. She also directed Crossing Delancey (1988), five other feature films, and several films for television.

Simone Simon was a prolific international film star, known for her iconic appearance and voice. Simon spent her childhood in Marseilles and Madagascar and attended schools in Berlin, Budapest, and Turin before making her film debut in 1931. She became popular in France and Hollywood for her mysterious, vulnerable, and seductive acting style, and made over thirty-eight feature films in her career. 

Novelist and Hollywood screenwriter Tess Slesinger was born in New York on July 16, 1905. She published several works, including: The Unpossessedand Time: The Present. Slesinger died of cancer at age thirty-nine before the premiere of one of her final works, the acclaimed A Tree Grows in Brooklyn.

Anna Sokolow (1910-2000), an American dancer and choreographer of Russian-Jewish descent, danced with the early Martha Graham Company and created many international dance-theater works of social and political significance.

Estelle Joan Sommers was a designer, entrepreneur, and executive who made her career in retail dancewear, introducing innovative designs for Capezio’s dance and exercise clothing.

Johanna Spector was an influential ethnomusicologist whose writings, recordings, and film projects documented the music of little-studied Jewish communities from around the world. After surviving the Holocaust, Spector earned her doctorate, founded the ethnomusicology department at the Jewish Theological Seminary, established the Society for the Preservation of Samaritan Culture, and served as president of the Asian Music Society.