Feisty and opinionated, Sylvia Sidney was quite the opposite of the waiflike victim of social oppression she played in Hollywood’s Depression Era films. While she disliked playing the victim, her vulnerability and working-class persona resonated with audiences. She earned an Oscar nomination for her performance in Summer Wishes, Winter Dreams, took on a comic role as the caseworker in Beetlejuice, and played a sympathetic grandmother in one of the first TV movies about AIDS, An Early Frost.

Award-winning director and screenwriter Joan Micklin Silver, born in 1935 in Omaha, Nebraska, wrote and directed the 1975 barrier-breaking independent film Hester Street, which sparked an interest in the lives of immigrant Jews. She also directed Crossing Delancey (1988), five other feature films, and several films for television.

Simone Simon was a prolific international film star, known for her iconic appearance and voice. Simon spent her childhood in Marseilles and Madagascar and attended schools in Berlin, Budapest, and Turin before making her film debut in 1931. She became popular in France and Hollywood for her mysterious, vulnerable, and seductive acting style, and made over thirty-eight feature films in her career. 

Anna Sokolow (1910-2000), an American dancer and choreographer of Russian-Jewish descent, danced with the early Martha Graham Company and created many international dance-theater works of social and political significance.

Sylvia Blagman Syms was a gifted jazz singer who earned praise from Billie Holliday, Frank Sinatra, and Duke Ellington. In 1949, she was discovered by Mae West, who became a significant teacher and influence on Syms’s intimate storytelling performing style. Sym’s went on to record fifteen major albums and tour the United States and World before dying of a heart attack. 

Sydney Taylor as the author of the beloved All-of-a-Kind Family chapter book series, about five memorable and distinctive sisters growing up in a warm and loving Jewish household in early twentieth-century New York.

For over a hundred years, Jewish women have been involved in the American theater as writers, actors, directors, designers and producers. The vitality of the Yiddish theater, the splendor of Broadway, the rich tapestry of the regional theater, and everything in between, all owe a debt to the Jewish women who have given of their talents, their energy, their drive, and their dreams.

Vaudeville legend and Broadway star Sophie Tucker defied convention with her saucy comic banter and music. Tucker became famous internationally for her singing performances and delighted audiences throughout America and Europe with her rendition of “My Yiddishe Momme.” Tucker was proud of her Jewish identity and created the Sophie Tucker Foundation, which supported various actors’ guilds, hospitals, synagogues, and Israeli youth villages.

Jewish women in vaudeville helped to cultivate a unique American Jewish identity. Headliners Sophie Tucker, Belle Baker, and Fanny Brice were prominent, as were performers such as Nan Halperin and Nora Bayes. Molly Picon was a star of Yiddish theater, and Sarah Bernhardt a star of the stage. The reign of Jewish female vaudevillians ended in the 1930s, but their voices continue to be heard.

Salka Viertel was an influential actress, writer, and organizer of Jewish European immigrants in Hollywood. Viertel co-wrote screenplays for several Greta Garbo films. Her Hollywood salon welcomed émigrés such as Thomas and Heinrich Mann, Bertolt Brecht, Fred Zinnemann, Arnold Schoenberg, and Reinhardt.

Dora Wasserman created a place for Yiddish theater in Canada by founding a theater and adapting great works of Yiddish literature for the stage. After World War Two, Wasserman immigrated from the Soviet Union to Montreal, formed the Yiddish Drama Group, and produced plays and musicals. She was the first to demonstrate that a theater of diversity could survive and flourish in Canada, and she did so with an all-consuming selfless dedication to her art.

In 1989, Wendy Wasserstein won the Pulitzer Prize for The Heidi Chronicles and was the first woman playwright to win a Tony Award. After graduating from the MFA program at the Yale School of Drama, in which she was the only woman, Wasserstein wrote countless dramas, three musicals, various comedy skits for television, and a series of essays published in the New Yorker, Esquire, and Harper’s Bazaar.