Tatyana Grosman nurtured an entire generation of printmakers and raised printmaking in the United States to the status of major fine art. Universal Limited Art Editions, which she founded in 1957, published prints by many major American artists, and launched collaborative endeavors between artists and writers. Much of the press’s work was acquired by the Metropolitan Museum of Art.

Politically active from a young age, Haika Grosman played a key role in the underground resistance to Nazi occupation and the Holocaust and put her safety on the line in the name of the movement.

Sephardi and Romaniote women during the resistance movements in Greece and in Auschwitz Birkenau have been rarely mentioned in the literature on World War II, but they made varied contributions to the movement.

Michal Govrin, born in 1950 is an Israeli poet, writer, and stage director. She takes a highly individualized perspective on Israeli-Jewish post-Holocaust reality by combining artistic experimentation with Biblical and Rabbinic sources and philosophical discourse. In her poetry, prose and essays she examines places and spaces within a polyphonic context of architecture, art and theater, the sanctity of land, and the national narrative.

A passionate idealist, Mire Gola organized anti-German resistance in World War II as a Communist in occupied Poland. She inspired others with her eloquent poetry and her fortitude through imprisonment and torture.

After surviving the Holocaust and immigrating from Budapest to Brazil, dancer Marika Gidali became an influential performer, teacher, and choreographer at a time when the arts faced serious repression under military dictatorship. In 1956 Gidali began dancing with the Ballet Company of Theatro Municipal do Rio de Janeiro. Gidali later set up her first school, which was the meeting point for many artists in the mid-1960s.

The Jewish Reform movement did not liberate women from their subordinate religious status, and the nineteenth-century bourgeois German family ideal with its rigid gender roles soon eclipsed the fluid structure of premodern Jewish families. Jewish women were expected to transmit German bourgeois values while also shaping their children’s Jewish identity.

Else Frenkel-Brunswik was a social psychologist who is best known as a coauthor of The Authoritarian Personality.

German-born Recha Freier founded Youth Aliyah in 1933, which assisted in sending Jewish European teenagers to Palestine prior to World War II to be trained as agricultural pioneers on kibbutzim. Although she was responsible for saving the lives of many thousands of Jewish youth, Freier’s efforts were not officially acknowledged until 1975, when she was eighty-three years old.

From the French Revolution to the twenty-first century, Jewish women in France have undergone radical legal, political, cultural, and religious transformations. Seizing upon the increasing number of opportunities available to them, both as Jews and as women, Jewish women have left their marks on all areas of French society.

Anne Frank is famous for the diary she wrote during the Holocaust, in which she describes her life while hiding in an Amsterdam attic. She was caught and perished in Bergen-Belsen. Her diary, which is often part of school curricula, has become one of the central symbols of the Holocaust and human suffering.

Literature by American Jewish women reflects historical trends in American Jewish life and indicates the changing issues facing writers who worked to position themselves as Americans, Jews, and women.

Prolific writer Edna Ferber celebrated America in her many works, even as she exposed its shortcomings. Her novel So Big won a Pulitzer Prize in 1925, and the film Giant and the musical Show Boat were both based on her novels. Ferber’s work was shaped by her childhood experiences of antisemitism and frequently featured strong and talented women.

Tilly Edinger made her mark as one of the leading vertebrate paleontologists of the twentieth century. Her pioneering work in paleoneurology, the study of fossil brains, established her international reputation as the outstanding woman in her field. She performed research in Germany before World War II and continued researching and teaching in the United States until her untimely death in 1967.

Jewish immigrants to the New World brought with them their ritual and celebratory Jewish dances, but these traditional forms of Jewish dance waned in the United States. Working-class and poor Jewish immigrants parents sought out culture and education in the arts for their children, often as a vehicle for assimilation. Jewish women were particularly attracted to the field of modern dance.