Marriages between Jews and people of other faiths have long fascinated scholars, clergy, and communal leaders, who often considered the choice of a Jewish spouse as an indication of the strength of ethnoreligious identity and commitment to perpetuating Judaism and the Jewish people. However, many Jewish women who intermarry in the United States continue to identify Jewishly, engage in the Jewish community, and raise Jewish children.

This entry uses gender as category of analysis and change over time to illuminate the experience and meaning of interfaith marriage for Jewish women in America. It describes how women navigated their ethnoreligious identities when they married Gentile men, the influences of feminism, the rise of ethnic consciousness, and parenthood.

Ronit Elkabetz (1963-2016) was one of Israeli cinema's leading actors. Coming from the northern periphery, she played in some of the major Israeli films of the last decades. She is particularly remembered for the trilogy she directed with her brother Shlomi Elkabetz: To Take a Wife (2004), The Seven Days (2009), and Gett: The Trial of Viviane Amsalem (2013), all addressing the issue of the oppression of Mizrahi women in the name of the Jewish religion.

Helene Aylon was an American, New York-based, multimedia visual artist who began by creating process art in the 1970s, focused on anti-nuclear and eco-activist art by the 1980s, and subsequently devoted more than 35 years to the multi-partite installation The G-d Project. This last body of work’s often direct or indirect textuality resonates from and responds to Judaism’s traditionally male-dominated textuality as part of a larger commentary on women in Judaism.