I’ve grown up in the epitome of a noisy Jewish household. For me, a large part of the Jewish cultural experience consists of rapid-fire Shabbos dinner debates that leave you with a sore throat and a full stomach. 

We need to pay strict attention to what messages we get from the media and how those messages perpetuate violence and misogyny. Violent and offensive lyrics, such as those in “Animals,” glorify and romanticize sexualized violence, causing distorted views on healthy relationships. Objectification and violence toward women can too easily become mainstream when popular celebrities endorse this behavior.

When I was younger, I used to love watching Hannah Montana on television. The lead character, played by Miley Cyrus, lived a double life as pop sensation Hannah Montana. Cyrus had so many fans, so many young not-yet-teenagers who looked up to her. I remember going to see her in concert when I was in fourth grade. It was one of the highlights of my year. 

Through her blues music, Holmes inspired people all over America to take a stand for black equality. She performed at numerous rallies, advocating for civil rights for all; in fact, her music is often called the “soundtrack of the Civil Rights movement.” 

Since last year, YouTube sensation Postmodern Jukebox has been creating innovative covers of modern pop music by applying contrasting musical stylings to contemporary works—from a smooth jazz cover of the Game of Thrones theme to a 1940s swing adaptation of Madonna's “Like a Prayer.” In recent months, Postmodern Jukebox released a klezmer inspired cover of Jason Derulo's "Talk Dirty" accompanied by segments of Yiddish translation. As I watched the video accumulate over a million views on YouTube, I became interested in exploring what went into the production of this inventive and unlikely pairing.

I remember buying Salt-n- Pepa’s album Very Necessary in 1993. I must have been nine, and along with River of Dreams by Billy Joel, it was the soundtrack of my tween life (we can discuss my eclectic music taste in another blog post). I never could have imagined that eleven years later I would be in Boston’s City Hall Plaza listening to the epic Salt, Pepa, and Spinderella spout messages of female empowerment, the value of friendships, and staying true to you. 

It was a magical evening at the Phantom Gourmet Beach BBQ Party, and thanks to one of my highly connected friends, I ended up with two tickets. I grabbed a friend who enjoys meat, beer, and 90’s hip-hop as much as I did, and we ventured to the plaza.

I recently experienced the multi-media performance The Sarajevo Haggadah: Music of the Book composed by the Bosnian-born Merima Kljuco, which expressed freedom at so many different levels and with such fervent passion. History was recast through a dialogue of accordion and piano, synchronized with artistic renditions of corresponding historical events. The 12 movements started with the creation of the Haggadah just before the expulsion of the Jews from Spain in 1492, to Venice in 1609 where Jews were confined to the ghetto, to Sarajevo in 1941 where Hitler’s goal was to establish a “museum of an extinct race” and a Muslim imam hid the book until the war was over, through the siege of Sarajevo in 1992, finally ending with the Mother’s Benediction in Ladino when the Haggadah ends up back home.