Rosa Schapire was one of the few women to pursue art history studies at a time when the discipline itself was still in its infancy. Her foray into this male-dominated profession was indicative of her allegiance to feminist aspirations to equal opportunity and adult suffrage.

Alice Schalek first entered the public sphere at the turn of the century as the author of a well-received novel, published under the male pseudonym Paul Michaely. The first woman in Austria to become a career photojournalist and travel writer, and the first and only female member of the Austrian Kriegspressedienst (war information unit) during World War I, Schalek paved the way for careers in both photography and journalism for other women.

Miriam Schapiro helped pioneer the feminist art movement, both through her own pushing of creative boundaries and by creating opportunities for other women artists. Starting in 1970, Schapiro raised women’s consciousness through her writing, painting, printmaking, teaching and sculpture. She lectured extensively on feminist issues to professional conferences, university audiences, art classes and women’s groups.

Born into a wealthy Venetian Jewish family, Margherita Sarfatti joined the Socialist Party and became the art critic for the newspaper Avanti!, where she met Benito Mussolini. The two became lovers, and she followed Mussolini into the Fascist movement and helped plan the rise of the Fascists, only abandoning his cause when Mussolini embraced antisemitism in 1938.

Angiola Sartorio was a prolific dancer, teacher, and choreographer who subverted fascism in her artistic choices. Sartorio had a company and school, and her company was widely well-received in Italy until it performed for Hitler in Vienna and she had to flee to the United States.

Writer and lawyer Nathalie Sarraute was an innovative figure in post-World War II French literature. No longer allowed to practice law during the German occupation of France, she posed as the governess of her three daughters to hide her Jewish identity. Sarraute’s many novels and plays are characterized by an “inwardness” and an unusual lack of characters, names, and plot.

Bouena Sarfatty Garfinkle, a Sephardi woman, risked her life over and over again to aid to her community during World War II. At a later stage in her life, Bouena’s historical-literary acumen enabled her to record Jewish life in Salonika during the twentieth century, including the devastation to her community at the hands of the Nazis.

In 1966 Nelly Sachs became the first German woman to win the Nobel Prize in Literature. After Sachs fled Berlin in 1940, her thirty-year exile in Sweden proved fertile ground for her poetry. She was motivated as a writer by her deep desire to bear witness to the victims of the Holocaust.

Dame Miriam Rothschild was a renowned British natural scientist who published over 300 scientific papers throughout her lifetime, making groundbreaking contributions to the fields of entomology, zoology, marine biology, and wildlife conservationism. In 1985 she was made a Fellow of the Royal Society and credited for her work in the histology, morphology, and taxonomy of fleas.

Anna Rozental belonged to the generation of Jewish labor activists who had already been active in the founding phase of the General Jewish Labor Bund under the Russian Empire and who were highly respected as “veterans” in the Polish Bund of the interwar period. From her youth on, Rozental’s life was closely tied to the Jewish labor movement in Vilna, where she died in Soviet custody during World War II.

Bethsabée (Hebrew: Batsheva) de Rothschild, the scion of a well-known philanthropic family, helped support numerous activities in the United States and Israel, especially dance, music, and science.She created the Batsheva and Bat-Dor dance companies and was awarded the Israel Prize in 1989 for her special contribution to Israeli society.

Romania was a wellspring of the Yiddish theater, as there were Jewish theater troupes in the major Romanian cities and acting troupes traveled throughout the country performing dramas, comedies, musicals, and operettas. Women played a significant role in performing and shaping Romanian Yiddish theater and became known internationally for their work on the Yiddish stage.

Despite the fact that women did not hold a high status in prewar French society, Jewish women played a disproportionately large role in the French resistance against the Nazis. Hundreds of women protected their fellow Jews, especially Jewish children, from the Nazis.

Havivah Reik was a Palmah soldier and parachutist who was killed by Nazi collaborators on a secret mission to save thousands of Slovakian Jews.

Created to incarcerate women and serve as a “model” concentration camp, Ravensbrück imprisoned about 132,000 women and children between 1939 and 1945, committing them to slave labor and miserable conditions. In addition to thousands of political prisoners, criminals, Jehovah’s witnesses, and those deemed “asocial,” about 20 percent of the camp’s prisoners were Jewish.

Painting and sculptor Antonietta Raphaël rose to fame in the 1950s. Her paintings were seen for the first time in Rome in 1929; during World War II, she took up sculpting, and in the 1950s, she rose to prominence and exhibited her works worldwide.

A Communist activist before and during World War II, Olga Benário Prestes’ political activities led her to the highest ranks of the Communist Youth International. Her relationship with Brazilian Communist leader Luis Carlos Prestes, who was part of a failed coup, led to her deportation to Germany, where she was gassed at Bernburg in 1942. Although her name is not well known in the United States, Olga is famous in Brazil and was considered a great heroine in the German Democratic Republic.

A left-wing political activist and Soviet intelligence recruit, Zosha Posnanska was a fearless fighter against the Nazis and for a peaceful world.

Lucie Porges brought a combination of elegance and a relaxed sensibility to her long and fruitful collaboration with top fashion designer Pauline Trigère. As she continued to design, Porges also imparted her immense knowledge in the Fashion Department of the New School for Social Research.

There were prominent female leaders in nearly every Jewish underground in the Polish ghettos during WWII. Women often took on the role of delegate to central leadership, moving between ghettos. Jewish fighting organizations relied on these delegates to deliver arms, forged documents, and military instructions between ghettos.