Bella Spewack, in collaboration with her husband Sam, is known for writing some of the most memorable works of musical theater history, including Leave It to Me (1938) and Kiss Me Kate (1948). The Spewacks also wrote screenplays for several 1940s Hollywood hits, such as Weekend at the Waldorf. The couple contributed to many Jewish organizations and founded the Spewack Sports Club for the Handicapped in Ramat Gan, Israel.

Beverly Sills was a trailblazing opera singer who, after a robust singing career at the New York City Opera Company (NYCO) and the Metropolitan Opera House, became the first female director of the NYCO, and the first female chair of the Lincoln Center board. Sills defied the odds in her career accomplishments while raising two children with disabilities and being actively involved with several charitable organizations.

Alice Salomon was an educator, feminist, economist, and international activist who was one of the pioneers of the emerging field of professional social work in Germany in the early 20th century. In 1925 she was among the founders of the German Academy for Women’s Social and Educational Work, and she later served as the first president of the International Committee of Schools of Social Work.

In revues, nightclub acts, concert halls, and on television, Joan Rivers popularized and perfected a genre of comedy that challenged reigning social conventions. After breaking into Chicago’s comedy scene in 1961 at Second City, Rivers became known for her comedic routines, books, and the talk show for which she won an Emmy for in 1990.

Singer Roberta Peters led a career spanning more than half a century as one of the Metropolitan Opera’s most popular sopranos. A frequent performer on the radio, television, and stages around the world, Peters was also involved with many public health and Jewish organizations throughout her life.

Rose Pesotta was an iconic labor organizer and president of the International Ladies' Garment Workers Union (ILGWU) in the early twentieth century. Pesotta saw her union organizing as an opportunity to fulfill the anarchist mandate “to be among the people and teach them our ideal in practice.”

Kadya Molodowsky was a major figure in the Yiddish literary scene in Warsaw (from the 1920s through 1935) and in New York (from 1935 until her death in 1975). She published extensively in many genres, including poetry, fiction, drama, and essays, and founded and edited two journals. Recurrent themes in her work include the lives of Jewish women and girls Jewish tradition in the face of modernity, Israel, and the Holocaust.

Annie Nathan Meyer promoted women’s higher education and founded Barnard College, New York’s first liberal arts college for women. She also chronicled women’s work, dramatized women’s status in plays, novels, and short stories, and raised funds for Jewish and black students to attend Barnard.

Vladka Meed was an underground courier who smuggled weapons to the Jewish Fighting Organization inside the Warsaw Ghetto while passing as a Christian outside its walls. In 1948 she published a memoir about her experiences, On Both Sides of the Wall. Meed received many awards for her work in Holocaust education and memorialization.

Controversial both during and after her life, Lillian Hellman was one of the leading women of letters of mid-century America and a pioneer woman playwright. Hellman displayed courage not only in writing powerful plays like The Children’s Hour but also in her public refusal to name colleagues to the House Un-American Activities Committee.

At the age of 54, Helen Yglesias dedicated herself to becoming a writer. Her works focus on the lives and concerns of Jewish women in New York. Her most notable books include Sweetsir and The Girls.